Sitara Cinema 1978 V2-255

(Sitara Cinema 1978 V2-255) (0 - 0)

(Sitara Cinema 1978 V2-255) (0 - 0)

(Sitara Cinema 1978 V2-255) (0 - 0)

(Sitara Cinema 1978 V2-255) (0 - 0)

(Sitara Cinema 1978 V2-255) (2 - 2)

(An explosion is taking place from within) (3 - 3)

(Cinema artists association at the Artists Forum) (3 - 3)

(Talking to the readers) (3 - 3)

(Culture and arts members are still on strike) (4 - 4)

(Farzana Ta'idi was added to the cast of "The Eighth Voyage of Sindbad") (4 - 4)

(Congratuations on the occasion of Shah's birthday) (4 - 4)

(Shuhra Aghdashlu is still on television) (4 - 4)

(Beginning of freedom) (4 - 4)

(Beginning of freedom) (4 - 4)

(Beginning of freedom) (4 - 4)

(The film "Journey of the Stone" Finds new success) (5 - 5)

(Sa‘id Kangarani is secretly married) (5 - 5)

(Why Bayk Imanvirdi does not want to play comic roles?) (5 - 5)

(Tips on new signed photos of your favorite artists included in the Photo Club of Sitarih Sinima) (5 - 5)

(Marjan at a French festival) (5 - 5)

(Marjan at a French festival) (5 - 5)

(Marjan at a French festival) (5 - 5)

(Shahnaz Tehrani, from cinema to Lalihzari theaters) (6 - 6)

(Parva in a short conversation: I'm proud to sing for people) (6 - 6)

(Parva in a short conversation: I'm proud to sing for people) (6 - 6)

(Parva in a short conversation: I'm proud to sing for people) (6 - 6)

(Parva in a short conversation: I'm proud to sing for people) (6 - 6)

(We understand the meaning of the radio program about cinema) (7 - 7)

(We understand the meaning of the radio program about cinema) (7 - 7)

(We understand the meaning of the radio program about cinema) (7 - 7)

(We understand the meaning of the radio program about cinema) (7 - 7)

(We understand the meaning of the radio program about cinema) (7 - 7)

(We understand the meaning of the radio program about cinema) (7 - 7)

(Secret to lasting popularity) (8 - 8)

(Secret to lasting popularity) (8 - 8)

(Secret to lasting popularity) (8 - 8)

(Secret to lasting popularity) (8 - 8)

(A filmmaker's case: Parviz Kimiyavi 2) (9 - 9)

(A filmmaker's case: Parviz Kimiyavi 2) (9 - 9)

(A filmmaker's case: Parviz Kimiyavi 2) (9 - 9)

(The story of Daryush's life in the "Sitarih Sinima" 3) (10 - 10)

(The story of Daryush's life in the "Sitarih Sinima" 3) (10 - 10)

(The story of Daryush's life in the "Sitarih Sinima" 3) (10 - 10)

(The story of Daryush's life in the "Sitarih Sinima" 3) (10 - 10)

(The story of Daryush's life in the "Sitarih Sinima" 3) (11 - 11)

(Parva in a short conversation: I'm proud to sing for people) (12 - 12)

(This small page has become a palce for mercenaries) (12 - 12)

(This small page has become a palce for mercenaries) (12 - 12)

(This small page has become a palce for mercenaries) (12 - 12)

(This small page has become a palce for mercenaries) (12 - 12)

(This small page has become a palce for mercenaries) (12 - 12)

(This small page has become a palce for mercenaries) (12 - 12)

(Are there any rules for broadcasting TV series?) (13 - 13)

(8 million cinema has been bought for 14 million) (13 - 13)

(From the text of an open letter: Strike and unemployment in the arts does not hurt you at all?) (13 - 13)

(From the text of an open letter: Strike and unemployment in the arts does not hurt you at all?) (13 - 13)

(From the text of an open letter: Strike and unemployment in the arts does not hurt you at all?) (13 - 13)

(From the text of an open letter: Strike and unemployment in the arts does not hurt you at all?) (13 - 13)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (14 - 14)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (14 - 14)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (14 - 14)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (14 - 14)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (15 - 15)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (15 - 15)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (15 - 15)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (15 - 15)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (15 - 15)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (16 - 16)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (16 - 16)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (16 - 16)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (17 - 17)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow) (18 - 18)

(atomic woman was killed in an accident) (19 - 19)

(Role of Literature in Cinema: Lolita by Nabokov, sensational and controversial in cinema) (19 - 19)

(What does Lindsay Wagner say about the atomic woman being killed?) (19 - 19)

(What does Lindsay Wagner say about the atomic woman being killed?) (19 - 19)

(What does Lindsay Wagner say about the atomic woman being killed?) (19 - 19)

(Great movies in the history of cinema) (20 - 20)

(Great movies in the history of cinema) (20 - 20)

(Great movies in the history of cinema) (20 - 20)

(Respondent) (21 - 21)

(Briefly about Fardin) (21 - 21)

(Briefly about Fardin) (21 - 21)

(Recruitment announcement: National Iranian Steel Company) (22 - 22)

(An explosion is taking place from within) (22 - 22)

(Role of Literature in Cinema: Lolita by Nabokov, sensational and controversial in cinema (continued)) (22 - 22)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow (continued)) (22 - 22)

(Tender announcement) (23 - 23)

(Ad: Chelsea Beauty Salon) (23 - 23)

(Parva in a short conversation: I'm proud to sing for people (continued)) (23 - 23)

(Parva in a short conversation: I'm proud to sing for people (continued)) (23 - 23)

(Parva in a short conversation: I'm proud to sing for people (continued)) (23 - 23)

(Introducing a figure: Iraj Iskandari) (23 - 23)

(Introducing a figure: Iraj Iskandari) (23 - 23)

(Secret to lasting popularity (continued)) (24 - 24)

(From the text of an open letter: Strike and unemployment in the arts does not hurt you at all?) (24 - 24)

(Shuja’i's new works) (24 - 24)

(Shuja’i's new works) (24 - 24)

(Shuja’i's new works) (24 - 24)

(Shuja’i's new works) (24 - 24)

(The story of Daryush's life in the "Sitarih Sinima" (continued)) (25 - 25)

(A filmmaker's case: Parviz Kimiyavi 2 (continued)) (25 - 25)

(A filmmaker's case: Parviz Kimiyavi 2 (continued)) (25 - 25)

(A filmmaker's case: Parviz Kimiyavi 2 (continued)) (25 - 25)

(Shahnaz Tehrani, from cinema to Lalihzari theaters) (26 - 26)

(Shahnaz Tehrani, from cinema to Lalihzari theaters) (26 - 26)

(Shahnaz Tehrani, from cinema to Lalihzari theaters) (26 - 26)

(Honest words about Amir Nadiri: A storyteller interpreting sorrow (continued)) (27 - 27)

(Atomic woman was killed in an accident (continued)) (27 - 27)

(Role of Literature in Cinema: Lolita by Nabokov, sensational and controversial in cinema (continued)) (27 - 27)

(joke) (27 - 27)

(About the back cover photo: Rana Safavi) (27 - 27)

(Knowing the world cinema: Avant-garde and underground cinema) (27 - 27)

(Langirud "Ariya" cinema and seventy mm films) (28 - 28)

(Langirud "Ariya" cinema and seventy mm films) (28 - 28)

(Langirud "Ariya" cinema and seventy mm films) (28 - 28)

(Langirud "Ariya" cinema and seventy mm films) (29 - 29)

(Langirud "Ariya" cinema and seventy mm films) (29 - 29)

(Langirud "Ariya" cinema and seventy mm films) (29 - 29)

(Movie Review: The Sugarland Express) (30 - 30)

(On the sidelines) (30 - 30)

(On the sidelines) (31 - 31)

(On the sidelines) (31 - 31)

(On the sidelines) (31 - 31)

(On the sidelines) (31 - 31)

(On the sidelines) (32 - 32)

(On the sidelines) (32 - 32)

(On the sidelines) (32 - 32)