Sitara Cinema 1978 V2-257

(Sitara Cinema 1978 V2-257) (0 - 0)

(Liberty, the anthem of contemporary man) (2 - 2)

(Role of people in the dawn of bloodshed (continued)) (3 - 3)

(Oppression and censorship in the creation of outstanding and valuable Iranian cinematic works) (4 - 4)

(Why is the magazine published for 40 Rials?) (5 - 5)

(The country's cinematic community joins the oppressed people of Iran to regain their lost rights) (6 - 6)

(Culture and art strikers achieved their demands) (6 - 6)

(A film is going to be made based on Pahlivan Takhti's life) (7 - 7)

(Is censorship really gone on TV?) (7 - 7)

(Corruption of an Artist is the prelude to the corruption of a society) (8 - 8)

(How did the original Iranian song get so mixed up with the obscene "striptease"?) (9 - 9)

(Maybe this is the pain of thousands of pains) (9 - 9)

( ) (10 - 10)

(Theater artists also joined the protesters) (11 - 11)

(Has cinema reached the end of the line: Italian cinema is now inclined to obscenity, after losing values of neorealist cinema) (12 - 13)

(Hello Pahlivan: Rising from the darkness of "small houses", leading to the light of "great palaces") (14 - 18)

(You can't make a film with your hands tied and your mouth shut) (19 - 19)

(The story of Daryush's life in the "Sitarih Sinima" 5: An artist who was taken captive for his resistance) (20 - 21)

(Snowy summer) (22 - 22)

(Say whatever you like to say: These weak artists) (24 - 24)

(Say whatever you like to say: Popular artists) (24 - 24)

(Say whatever you like to say: These are all controversies) (24 - 24)

(Say whatever you like to say: The cinema is a classroom) (24 - 24)

(You can't make a film with your hands tied and your mouth shut (contined)) (25 - 25)

(The story of Daryush's life in the "Sitarih Sinima" 5: An artist who was taken captive for his resistance) (25 - 25)

(An announcement from the Ministry of Energy) (25 - 25)

(Role of people in the dawn of bloodshed (continued)) (26 - 26)

(An announcement from the Ministry of Energy) (26 - 26)

(Oppression and censorship in the creation of outstanding and valuable Iranian cinematic works (continued)) (26 - 26)

(Has cinema reached the end of the line: Italian cinema is now inclined to obscenity, after losing values of neorealist cinema) (26 - 26)

(Congratuations to the magazine staff on the occasion of Eid al-Adha) (27 - 27)

(When I shouted under torture, the officers would say cut) (27 - 27)

(The leading things in the history of cinema) (27 - 27)

(Familiarity with Kaman Services and Procurement Company) (27 - 27)

(Respondent) (28 - 28)

(Artists Photo Club) (28 - 28)

(Artists give a present to the readers of the Sitarih Sinima: Liydush, a digital watch) (29 - 29)

(Movie Review: Nightmare in Badham County) (30 - 32)