Sitara Cinema 1978 V2-258

(Sitara Cinema 1978 V2-258) (0 - 2)

(Two billion rials of Tehran cinema owners' wealth was destroyed in recent weeks' incidents) (3 - 3)

(Complete list of cinemas that have been burned or destroyed in recent incidents) (3 - 3)

(Thank you for all this recognition) (3 - 3)

(Fight against film censorship) (4 - 4)

(How the Ministry of Culture and Arts makes decisions on behalf of people) (4 - 4)

(Marjan performs a new song called "Fire Song") (5 - 5)

(Telegraph) (5 - 5)

(How Iranian political and popular cinema was suppressed) (6 - 6)

(The day when Tehran was engulfed in fire and smoke, the famous cinema actor was driving a taxi) (7 - 7)

(We worked in silence and repression: what should we do with the censorship that allows the film to be shown and then bans the film during the screening?) (8 - 8)

(Interview with Faramarz Aslani: I am not willing to participate in a pointless program just to present myself) (8 - 8)

(Give me a place to sleep and a food to live on) (9 - 9)

(Iranian cinema has become a dumpster of Western cinema) (10 - 11)

(Unlimited privacy: A Study of Destructive Factors in Iranian Cinema) (12 - 12)

(Exclusive interview with Helena Mar-Elia: I endorse the revolts of your nation) (14 - 18)

(Government shares in the income of Iranian films, and not the sale profits) (19 - 19)

(Remote notes) (20 - 20)

(A filmmaker's case: Parviz Kimiyavi 3) (21 - 21)

(The story of Daryush's life in the "Sitarih Sinima" 6) (22 - 23)

(Respondent) (24 - 24)

(Artists Photo Club) (24 - 24)

(Artists give a present to the readers of the Sitarih Sinima: Ra'na Safavi, Half Pahlavi Gold Coin) (25 - 25)

(How Iranian political and popular cinema was suppressed) (26 - 26)

(Respondent (continued)) (26 - 26)

(Unlimited privacy: A Study of Destructive Factors in Iranian Cinema (continued)) (26 - 26)

(About the "Snowy Summer" footnote) (26 - 26)

(Two billion rials of Tehran cinema owners' wealth was destroyed in recent weeks' incidents (continued)) (27 - 27)

(How the Ministry of Culture and Arts makes decisions on behalf of people (continued)) (27 - 27)

(Fight against film censorship (continued)) (27 - 27)

(Invited to cooperate) (27 - 27)

(Remote notes (continued)) (28 - 28)

(Iranian cinema has become a dumpster of Western cinema (continued)) (28 - 28)

(Government shares in the income of Iranian films, and not the sale profits (continued)) (29 - 29)

(We worked in silence and repression: what should we do with the censorship that allows the film to be shown and then bans the film during the screening? (continued)) (29 - 29)

(Interview with Faramarz Aslani: I am not willing to participate in a pointless program just to present myself (continued)) (29 - 29)

(Wander in the city) (30 - 32)